Encounter/ Rencontre: Bobby Theodore, Translator

Encounter/ Rencontre: Bobby Theodore, Translator

Encounter/ Rencontre: Bobby Theodore, Translator

Bobby Theodore is a screenwriter, playwright, and translator. Bobby’s worked on several TV series, including Murdoch Mysteries, Flashpoint, and Knuckleheads (an adaptation of the hit Québecois cartoon, Têtes à claques). He’s also written episodes for the acclaimed CBC radio drama, Afghanada. Nominated for a Governor General Award in 1999 for his translation of 15 Seconds by François Archambault, Bobby has now translated over 20 plays from French to English. For the stage, Bobby co-created 300 Tapes (with Ame Henderson), a devised performance that premiered at the Theatre Centre in Toronto and at ATP in Calgary, and he’s currently working on Swallow, a play set in the drama-filled world of minor hockey. His translation of François Archambault’s You Will Remember Me, which premiered at ATP and won a Betty Mitchell Award for Outstanding New Play, will be staged at Tarragon Theatre this spring. Bobby is the resident dramaturg and host of the Glassco Translation Residency in Tadoussac.

Translation Workshop: I’m Not Here

Translation Workshop: I’m Not Here

Eflyer I'm Not HereBoucheWHAKED! Theatre Collective
In association with PTC, Ruby Slippers Theatre and Upintheair Theatre

MAY 22, 2:30 PM
West Coast English Language Premiere
I’M NOT HERE
By Marie-Claude Verdier | Translated by Alexis Diamond | Directed by Heidi Taylor

Featuring Melissa Oei*

In a torrent of words, a young woman describes her unraveling daily existence, slipping inevitably towards the brutal unknown.  Between her boss’s cupcake schedule and the distractions of her life as an urban singleton, she breaks down: a total implosion. Nothing’s ever over because nothing ever starts.

“This play of Marie-Claude Verdier’s…in fact her first attempt on the dramatic writing scene and it is excellent.” – Anne Michaud, Bernier et Cie, Radio-Canada Première Ottawa

Winner of Playwrights’ Workshop Montreal’s Cole Foundation Translation Competition

The Cultch | The Founders’ Lounge | 1895 Venables Street
PAY WHAT YOU CAN AT THE DOOR

Marie-Claude Verdier, Playwright

Marie-Claude Verdier took her first steps in playwriting as a teenager when her tale Paradise.com was selected by Théâtre le Clou for Les nouveaux Zurbains série III in 1999. The text was published in the collection The Zurbains with Dramaturges éditeurs and in Jamais de la Vie by Éditions du Passage. She continued her career by studying at the École Supérieure de Théâtre de L’UQAM in criticism and dramaturgy and she did a master’s degree on the dramaturgy of the museums at the University of Glasgow in Scotland. In the fall of 2013, her first play Je n’y suis plus was presented at the french Theatre of the NAC and at Zones Théâtrales . This production received two Prix Rideau Awards.

Alexis Diamond, Translator

Alexis Diamond is a Montreal-based playwright, opera librettist, musical lyricist and translator. Recently, Alexis won a Glassco Translation Residency in Tadoussac, Quebec, and an Individual Artist residency at the international Saari Residence, Finland. Her award-winning plays, operas and translations for audiences of all ages have been presented across Canada, in the U.S. and in the U.K. She is currently working on Strange Land, a historical epic set in Montreal in 1942, and two musicals. She is co-founder of Composite Theatre Co., a long-standing member of Playwrights’ Workshop Montréal and an active member of Montreal’s Espace Freestanding Room.

 

Heidi Taylor, Dramaturge & Director

Heidi Taylor’s passion for theatre was ignited when she played a robot in a grade six play. Since then, she has moved from acting to dramaturgy as her primary creative activity. Her background in performance creation with cross-disciplinary company Proximity Arts sparked her beginner-mind approach to dramaturgy. She applies principles learned from early mentors DD Kugler and One Yellow Rabbit, and relies on her hands-on experiences with Public Dreams and Leaky Heaven Circus to maintain a sense of passionate liveness in the work. She is interested in the “how” of theatre – how do we create collaborative relationships and processes that inspire artists to make necessary work with transformative power?

Encounter/ Rencontre: Alexis Diamond, Translator

Encounter/ Rencontre: Alexis Diamond, Translator

Encounter/ Rencontre: Alexis Diamond, Translator

Alexis Diamond is a Montreal-based theatre artist and translator. Her award-winning plays, operas and translations for all ages have been presented across Canada and internationally. The 2018-19 season has seen the premiere of the family-oriented piece for orchestra and narrator Making Light, penned with Abigail Richardson (Calgary Philharmonic), and two other translations, for Talisman Theatre and Le Petit Théâtre de Sherbrooke. With composer Stephanie Moore, Alexis is currently creating Zoom-Boum-Boum, an electroacoustic piece for very young audiences (Jeunesses Musicales Canada).  Little Witch and Amaryllis, her translation of Pascal Brullemans’Vipérine (Theatre Direct), will be published by Playwrights Canada Press in 2020.

再见 GOODBYE: A CROSS CULTURAL MUSICAL

再见 GOODBYE: A CROSS CULTURAL MUSICAL

Goldsmiths’ University of London & The Confusius Institute (London, UK)

再见 GOODBYE
A Cross Cultural Musical

Book and Lyrics by T. Michael Vest | Music by Jordan Clarke
Directed by Jack Paterson
Tristan Bates Theatre | 1A Tower Street Covent Garden, London WC2H 9NP

As a couple, she from China and he from England, say goodbye at the airport, they relive their relationship, their joys, their mistakes, their challenges and their love. Told through song, dance and in two languages – English with Mandarin – 再见 Goodbye is a story for all who have faced the trials of international relationships exploring commonalities and differences between cultures, between nations and between lovers.

A biligual new musical in Mandarin and English, this new work fused cross-cultural and cultural exchange practices into bot the creation process and narrative. 

Featuring:
Natalie Yeap, Samuel Haughton and Jiajing Zhang

Choreography by Roman Berry | Set, Costume & Media Design by Sachiko Yabe | Lighting Design by Hooman Shabahang | Co-Directed by Alanna Stone

Mandarin Text Creation by Quinn Lawrence, Audrey Guo, Chun-ju Lin and Jiajing Zhang

 

The Press

“Congratulations on a truly lovely show this evening! Excellent performances and wonderful music.”
Jo Ashe, Audience Memeber

“I had the privilege of watching 再见 Goodbye - stunning. I hope it does get revived at some point and if it does, I implore everyone to see it.”
Thom Sellwood, Audience Memeber

“The simple, elegant staging maximized the use of space and allowed the ensemble’s individual talents shine….some beautifully specific lighting, choreography, music direction and digital projection…Goodbye was a charming surprise.”
Dean Paul Gibson, Audience Member

Sponsors

Main Stage: The List (2016)

Main Stage: The List (2016)

DATES & Times

March 10-19, 2016
The Richmond Gateway Theatre
6500 Gilbert Road
Richmond, BC
www.gatewaytheatre.com

January 27-February 1, 2015
Studio 16
1551 W 7th Avenue
Vancouver, BC V6J 1S2

Website

United Players of Vancouver – Theatre Company

English Language Wold Premiere

Ruby Slippers Theatre
In association with BoucheWHACKED! Theatre Collective

THE LIST

By Jennifer Tremblay
Translated by Shelley Tepperman
Starring France Perras | Directed by Jack Paterson
Set and Lighting Design by John Webber | Costume Design by Drew Facey | Sound Design by Mishelle Cuttler | Stage Manager Lois Dawson

A woman invites us into her kitchen. Her neighbour is dead. Is she culpable for the death? The woman, who prides herself on never letting anything slip by, has overlooked an item on her list. A riveting tale of everyday to-do lists in which the essential and the ordinary are inextricably entwined.

Gallery

PRESS:
THE RICHMOND GATEWAY THEATRE (2016)

“The List grapples with guilt in a gorgeous production.” – The Georgia Straight

“…the power of words and an actor to conjure a complex, emotional world…elegant, essential and poetic…” – The Vancouver Sun

“…an hour of power…taking us into the soul of a woman punished by guilt…a powerful one-woman play blanketed in loneliness and regret, and served as an ace… leaving us to ponder the moments in this woman’s life that are uncomfortably familiar — and re-examine our own.” – The Richmond News

“The List rhymes off our frailties poignantly…As directed by Jack Paterson, this show works exceedingly well…Perras is quiet, forceful, embracing and compelling. Truth and love flow from her richly…with with grace and subtlety. But most importantly, with believability…the show impacts viscerally…had me wet with tears… Perras is nuanced and subtle and poised and pained as she struggles with her guilt, anger and hurt …This is tender touching theatre.” – brokenlegreviews.blogspot.ca

PRESS: STUDIO 16 (2015)

“Poetically scripted and compellingly executed…A stunning examination of obsession and guilt, love and family, friendship and sacrifice…Evocative set design and dra­matic light­ing com­pli­ment a pow­er­ful per­for­mance by Perras.” – Sad Mag.com

“…slow burning, compelling and rich…a moving evening of theatre to ponder for days after… haunting…” – Vancouverpresents.com

“France Perras’ portrayal of the woman offers blunt insights that hit like a cold knife and shiver around you like the snow that falls over the woman, the closing curtain of the show.” – The Ubyssey

“…brilliant truthful acting, profound emotion and intricately detailed storytelling…”
– OutTV

“The List (directed by Jack Paterson) was unbelievable. It seemed so simple to begin with…It is an honour to be in the room when an actor transcends themselves and takes you with them… I did not want to breathe too hard lest I break the moment.” – Greater Vancouver Professional Theatre Association Blog