International Creation – The Medusa Project USA

A Global Hive Labs. Creation

Medusa

En Las Tablas Performing Arts
& Steppenwolf Theatre (Chicago, USA)

Medusa

A Global Hive Labs. Creation:
Bouche Theatre Collective, ChezActors, fusion theatre, Pop Magic Production

Devised by the Chicago & International Ensembles
Directed and Faciltated by Denise Yvette Serna, Anna Donnell, Katie Merritt, Iman Kerroua, Carolina Migli-Bateson, Earl T. Kim and Jack Paterson

Movement Directed by Earl T. Kim | Access Coordinator Anna Donnell | Dramaturgy & Translation by Emma Pauly

Medusa is a multidisciplinary performance devised by an international ensemble of artists over one year, in four countries. Medusa celebrates the intersectional feminist revitalization of western mythology, the integration of accessibility design into the generative process, and the way social location affects participation in and interpretation of artistic experiences.

Featuring live music, dance, spoken word, multimedia and visual art, audiences will encounter Medusa’s journey, physical transformation, and isolation through all 5 senses.

Global Hive Laboratories integrates access design into the devising process from Day One. This includes thinking intentionally about how what we share can be experienced by different kinds people, and how to develop Accessible content that is present in every performance of a piece, rather than specifically assigned dates for those who would seek out those services.

Accessibility is intrinsic to our values as a collective and to the core of what we DO. We create an environment in which performers, directors, designers, playwrights, and audience members feel welcome to work with us and experience our productions. We can expect mistakes, shortfalls, and misunderstandings along the way, but if we go into providing access with open minds and hearts, we can always improve.

Chicago Ensemble: Terri Lynn Hudson, Melody DeRogatis, Jenn Geiger, Mari DeOleo, River Coello, and Electra Tremulis.

International Ensemble: Carolina Migli-Bateson, Alice Robbi, Elisa Ferrari, and Eliza Harris

 

Gallery

About

Global Hive Labs.

GHL is an international collective and network of companies and artists working together in shared practice. Home countries of participating organizations and artists include Italy, France, Spain, United Kingdom, the U.S.A., Canada, Argentina, Brazil, and China.

Practices include International Devised Collaboration, Multi-Lingual, Multi Disciplinary and Physical Theatre approaches, Long Distance Technologies (use of communication Technologies in creation and presentation) and Active Access Design (integrating Access Design such as audio description, etc. as core creative elements).

A project is workshopped in multiple countries over the space of a year. Projects have premiered at Chicago’s Seppenwolf Theatre (U.S.A.) and London’s The Pleasance Theatre (UK).

Medusa

Partners

The Naughty Children’s Bedtime Stories Workshop Reading

The Naughty Children’s Bedtime Stories Workshop Reading

DATES & Times

June 4, 5:45 PM

Location

The Presentation House Theatre
333 Chesterfield Avenue,
North Vancouver, BC V7M 3G9

The Presentation House Theatre
In association with Bouche Theatre Collectve

DIGITAL CHALLENGES FOR YOUNG PEOPLE IN THEATRE: A NATIONAL CONFERENCE

The Naughty Children’s Bedtime Stories

By Étienne Lepage
Directed & Translated by Jack Paterson*
Featuring Corina Akeson*, Leanna Brodie*, Art Kitching* and Anthony Santiago*
Stage Managed/ Assistant Directed by Marie Pike

“I was thoroughly engrossed – what a clever, funny, edgy piece!”
Tessa Mendel, Artistic Director, Halifax Theatre for Young People

Eight terrible stories spring from the fertile imaginations two little good-for-nothings who refuse to go to bed. Spooking each other, they make up creepy, fun-filled stories, test boundaries, and explore what’s real and what’s not.  2015 French Language Governor General’s Awards finalist.

Special thank you to dramaturge Johanna Nutter and Playwrights Atlantic Resource Centre.

Gallery

International New Translation Workshop: The Naughty Children’s Bedtime Stories

International New Translation Workshop: The Naughty Children’s Bedtime Stories

This September and October, Bouche was kindly invited by the British Equity WSW London Office to lead some new play development activities. Taking advantage of this opportunity to introduce British artists to francophone Canadian and international works, we workshopped three translations.

The Naughty Children’s Bedtime Stories (Quebec, Canada)
By Étienne Lepage | Translated by Jack Paterson

Eight horrible stories spring from the fertile imaginations two little good-for-nothings who refuse to go to bed. This play was 2015 French Language Governor Generals Award finalist.

About the playwright: Étienne Lepage
Étienne Lepage is a multiple Governor General Award nominated playwright, screenwriter, translator, and transdisciplinary creator. Based in Montreal, his work has been presented across North America and Europe. His other writing includes Rouge Gueule, L’Enclos de l’éléphant, Ainsi parlait.

Special thank you to the wonderful artists Rosie Akerman, Eleanor Bennett, Joan Blackham,  Viny Lad, Kavé Niku, Caroline Partridge Jay Ramji, Saria Steeland and James Watterson; Vancouver translator Leanna Brodie joining us a 6AM Vancouver time by Skype, and Lola May for organizing it!

 

J’amais Lu Festival (Montreal)

J’amais Lu Festival (Montreal)

Bouche’s Creative Producer, Jack Paterson, was invited to speak at the Jamais Lu Festival in Montreal. An annual Festival, Jamiais Lu works to develop Quebec, Canadian and international dramaturgy. Each year they hold events in Montreal, Quebec City and Paris.

This years focus was on bridging the divide between Canadian theatre practices. Jack was privileged – and very nervous – to join a team of translation super stars in a panel led by Bobby Theodore (Bouche translation commission Robin & Marian).

With other panels featuring artists from across the country such as Toronto’s Ravi Jain, Montreal’s Sophie Gee and Emma Tibaldo, Ottawa’s Lori Marchand, Vancouver’s Gilles Poulin-Denis and Esther Duquette, Fredericton’s Ryan Griffith to name a few, this was an exciting cross-country conversation.

With New works and staged readings by artists such as Rébecca Déraspe and Johanna Nutter, the opportunity to briefly see some wonderful old faces, and springtime in Montreal. It was a wonderful weekend.

Special thanks to Nahka Bertrand, Pascal Brullemans, Alexis Diamond & Marcelle Dubois and the Jamais Lu team for great weekend of cross lingual conversation and an amazing festival of new works!

Staged Reading: Nous Voir Nous (London, UK)

Staged Reading: Nous Voir Nous (London, UK)

DATES & Times

March 24, 2018, 4 PM
Location: Landor Spaces: 70 Landor Road, London, United Kingdom SW9 9PH
Standard £12 – Concessions £10
Oh Canada F(eh)stival

Location

Landor Spaces: 70 Landor Road, London, United Kingdom SW9 9PH
Standard £12 – Concessions £10

Oh Canada F(Eh)stival
In association with Bouche Theatre Collectve

NOUS VOIR NOUS:
5 Faces of Camille Brunelle

Written by Guillaume Corbeil
Translated into English by Jack Paterson

Who are we? What are we? What defines identity, language, and human interaction in the era of online social networking? Five online personalities create their tastes, their knowledge, and everything what they have seen, thought, experienced or imagined in a battle to define their personalities and place in the world.

Reviews:
“…the highlight of last season…” – Philippe Couture, Voir
“…provocative, compelling…audacious and successful both in form and in content.” – Luc Boulanger, La Presse

“A brilliant text by Guillaume Corbeil…a reflection on our disturbing need for attention, our desire for a stage, our indifference, and especially our solitude .” – Natalia Wysocka, Métro

About The Playwright:
Guillaume Corbeil

Guillaume Corbeil is a leading new voice in Quebecois francophone theatre. In 2008, Guillaume Corbeil published a collection of articles entitled L’art de la fugue (Éditions La Instant), which was a Governor General’s awards finalist and recipient of the Adrienne-Choquette award. In September 2009, he published his first novel, Pleurer comme dans les films (Leméac). In 2010, commissioned by Libre Expression, he wrote Brassard, a biography of acclaimed director André Brassard. In 2011, he graduated from the French language writing program at The National Theatre School of Canada. Since then he has written for the stage Le Mécanicien, Tu iras la chercher and Nous voir nous. His work has been seen at Espace Go and Theatre d’aujourd’hui. He was awarded the Critics ‘ Prize for the Best New Play, the Prix Michel Tremblay and the audience choice Primers Festival in Saarbrücken, Germany.

About the Play:

“Social Media is such a rich subject. This network requires us to ask ourselves fundamental questions about our society: what exists? Where do we exist? Who are we? It’s also a piece on the loss of the language; we communicates on Facebook by clicking “like” and exchanging YouTube videos! We “like”, but have nothing to say and define ourselves through the words of others.” – Guillaume Corbeil

Production & Awards:
2013:
– Théâtre PàP, Directed by Claude Poison and was presented at the National Arts Centre (Ottawa)
– Espace Go (Montréal)
– Théâtre de la Manufacture (Avignon)
– The Primeurs Festival (Saarbrücken, GER)

2014:
– Theater der Jungen Welt (Leipzig, GER) under the title Man sieht sich, translated by Frank Heibert 

Awards:
Prix Michel-Tremblay (Montreal, CAN)
Le Prix De La Critique: Outstanding New Text (Montreal, CAN)
Audience Choice Award, Primeurs Festival (Saarbrücken, Germany)