Towards an Inclusive Theatre
Active Access Design International Lab.
“This project makes it very clear. It is our responsibility as politicians to ensure the avlibilty of art to everyone, that is not just about making shows for certain types of people but all the people. Art must be accessible on every level to everyone.”
– Jonathon Papa Marenghi, Minster of Culture, City Council of Piacenza
Signdance Collective International (UK), BoucheWHACKED! Theatre Collective (Canada), Chezactors (Italy), & Global Hive Labs presente
PALAZZO DEL MONDO
LABORATORIO INCLUSIVITÀ & ACCESSIBILITÀ ININTERNATION
INTERNATIONAL INCLUSIVITY & ACCESSIBITY LABORATORY
Join us in an international conversation and exploration of accessibility in the performing arts.
Wednesday, April 13, 2022
9 PM
Pay Whay You Can
Palazzo Farnese
Cittadella Square, 29
29121 Piacenza, Italy
Ivani Ca & Golda Dahan (Signdance Collective) in PALAZZO DEL MONDO
Carolina Migli (ChezActors) & Golda Dahan (Signdance Collective) combine BSL & shadow puppetry
Working closely with stakeholders in the community, our Active Access Design Labs. examine how to integrate Access tools and Cross Sensory Translation directly into the generative process of theatre weaving access into the very fabric of a work.
Almost 2 years later to the day after the Atlantide Project, we are thrilled to return to Italy and Teatro Trieste 34! With a Canadian team consisting of Vancouver Sur-title Artist/ Access Co-Ordinator Anika Vervecken and Creative Technologist Joel Grinke. We have teamed up with Isolte Avila, David Bower, Ivani Ca, Robert Corcoran, & Golda Dahan from the remarkable Signdance Collective International (UK), and Carolina Migli of ChezActors (EU) for 2 weeks of Active Access Design research and exploration.
We gratefully acknowledge the support of The Arts Council of England, The Canada Council for the Arts, The City of Piacenza, Teatro Trieste 34, ChezActors & SignDance Collective International.
Gallery
About Our Partners
SIGNDANCE COLLECTIVE INTERNATIONAL (UK)
“Hypnotic, poetic, and unruly. The Signdance Collective represents the ungovernable energy of art itself, railing and raging against tyrannical forces. Beautiful to behold” – Caridad Svich
Signdance Collective International is a UK & European-based dance theatre company. We are the pioneers of Signdance Theatre. A fusion of sign (language) theatre, dance, and live original music. The Company is led by a collective of Deaf, disabled, and diverse artist/producers. www.signdancecollectiveinternational.com
CHEZACTORS (Italy)
CHEZACTORS is a collective of professional artists working in a fusion of theatre, photography, activism, live music and electronic sessions, fashion, film, figurative, graphic and graffiti arts led by director, divisor, dancer Carolina Migli. With a focus on the now, the company revolutionizes the relationship between community and professional artists through new participation/ creation models.
PIACENZA KULTUR DOM & TEATRO TRIESTE 34 (Italy)
Founded in 1997, Piacenza Kultur Dom is a cultural association, cultural center and theatre that creates, produces, and presents live theater and the live performance arts in all its forms in Piacenza. Under the leadership of Filippo Arcelloni, we are the only independent producing theatre in the Piacenza region. For the last 20 years we have provided a home for independent music, contemporary dance, new works and creation, clown, and visual arts. Our productions are performed throughout Italy.
About Active Access Design
Active Access Design was born from my work with Global Hive Labs., an international network of artists and companies, co-founded with Denise Yvette Serna (USA), Katie Merrit (UK) and Carolina Migli (EU), working together in devised creation. With collective members across multiple countries, we identified access as a priority.
The 2019/20 Global Hive Labs. international collaborations Medusa USA (Chicago’s Steppenwolf Theatre, Pop Magic Productions) and Medusa UK (London’s The Pleasance Theatre, The Cockpit Theatre, & Fusion Theatre), we focused on incorporating Audio Description and Touch Tours into Dramatic Narrative.
Spring 2020, we teamed up with Teatro Trieste 34 (Piacenza, Italy) and asked ourselves, how could we take this further? On the devised creation project Atlantide, we were able to test the early concept of Active Access Design (AAD) and Cross Sensory Translation. The potential was revealed.
“…a full house for Teatro Trieste 34 …a fusion of epic and contemporary, myth and poetry, in a fascinating total and inclusive theatre…” – Liberta
“…smashing nationality and accessibility borders in a Total theatre merging so many artistic languages in a complete emotional voyage…” – IMA Magazine
Special Thank you to our Supporters
Land Acknowledgement
Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.
*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.