The Ballad of Georges Boivin nominated for 3 Jessie Richardson Theatre Awards
We are thrilled to share The Ballad of George Boivin (Western Gold Theatre) has been nominated for three 21/22 Jessie Richardson Theatre Awards – Outstanding Direction, Outstanding Set Design (Glenn Macdonald) and Outstanding Video Design (Joel Grinke).
Theatre is by it’s nature an ensemble based art form and no individual award nomination happens without the work of a great many people. A tremendous thank you to Tanja Dixon-Warren and Western Gold Theatre who supported the project from translation to stage, francophone playwright Martin Bellemare who allowed us to bring his work to English language, the entire Ballad translation, dramaturgy, production and creative teams, and – of course – the wonderful actors Jay Brazeau and John Innes who both returned to the stage for this project.
Bouche workshoped the creative translation through our digital “A Glimpse into New Translation series” and partnered with Western Gold Theatre for Senior Access Design and Creative Translation workshop prior to the producduction.
Congratulations to all the Jessie Richardson Award nominees!
Western Gold Theatre
In association with Bouche Theatre Collectve
WESTERN GOLD:
THE BALLAD OF GEORGES BOIVIN
By Martin Bellemare | Translated by Jack Paterson with Johanna Nutter
Translated from LE CHANT DE GEORGES BOIVIN (Quebec, Canada)
FEATURING
Jay Brazeau and John Innes alternating as Georges Boivin in repertory
At 77, Georges Boivin “gives the dice a roll”. Georges just lost his wife, you see, the “centre of his universe”. He’s terrified “he’s no longer exists for anyone”. But there is life after 70 and it must continue even after great loss. With his three friends, all the same age as he, he sets out on road trip from Québec to Vancouver, in search of his first love who he hasn’t seen in 50 years.
“…explores with great insight thematic territory I’ve never seen covered before…the execution is poetic and the insight genuine…his (John Innes) skill is a joy… a wonderful combination of ease and thoroughness in his technique…he inhabits every word…moments of magic and even transcendence…an intimate — and rewarding — conversation about love.” – Colin Thomas, colinthomas.ca
“…insightful, thoughtful and mind-expanding…Brazeau gives a riveting performance, showing that emotions are still alive – and even volatile – even in your seventies… This is a beautiful play, filled with hope and longing and the realization that yes, there is life and love well into our golden years!” – EntertainmentVancouver.com
“…a heart-warming play that shakes off the myth often associated with old age.” – Reviewvancouver.com
Gallery
Creating Access, Inter-Gernerational & Cross-Cultural Dialogue
It is no secret that elder artists face barriers to partcipating in the live performing arts due to our professional structures and the natural process of ageing. We have attempted in this project to fuse all elements from scheduling, to rehearsal and design processes, to live performance with access. What has been particularly exciting is how the individual needs, priorities, and theatrical interests of each actor have come to play, creating two district pieces unique to each artist.
Francophone Canadian playwrighting is a uniquely Canadian form and is on the forefront of international practices. Born from different circumstances and cultural needs, the francophone theatre often places metaphor and experience over dramatic arc and the “well-made play”. Cross Cultural collaboration is inherent to bringing this work to English language translation.
One of the great joys of this project was over the pandemic, as we created a Zoom space bringing artists together across cultural, lingual, and physical distances in an intergenerational conversation – with playwright Martin Bellemare and translation collaborator Johanna Nutter joining us from Montreal.
I have had the privilege over the last few months of working with 2 remarkable theatre artists, a wonderfully creative design team, highly supportive producing body in a pan-Canadian conversation. A tremendous thank you to Western Gold Theatre and the Georges Boivin team.
Credits
Writen by Martin Bellemare
Translated by Jack Paterson with Johanna Nutter
Directed by Jack Paterson
FEATURING
Jay Brazeau and John Innes alternating as Georges Boivin in repertory
Assistant Stage Manager: Jessica Adamson
Assistant Lighting Designer: Chengyan Boon
Sound Designer: Stephen Bulat
Artistic Director: Tanja Dixon-Warren
Video & Video Systems Design: Joel Grinke
Costume Designer: Alaia Hamer
Senior’s Access Consultant: Dr. Julia Henderson
Set Designer: Glenn Macdonald
Assistant Director: Hannah Siden
Video & Video Systems Assistant: Vanka Chaitra Salim
Stage Manager: Ingrid Turk
Access And Surtitle Coordinator: Anika Vervecken
Lighting Designer: John Webber
Meet
the Cast
Jay Brazeau (He, Him)
Jay is seemingly everywhere. His TV work includes SUPERNATURAL, PSYCH, STARGATE SGI, BATES MOTEL, ROGUE, WEST WING, THE X FILES, AIR BUD and THE KILLING. Films: DOUBLE JEOPARDY, WATCHMEN, INSOMNIA, BEST IN SHOW, COOL RUNNINGS, WE’RE NO ANGELS, THE POSSESSION, LITTLE WOMEN, ANDRE, HEAD OVER HEELS, HORNS, FATHERS AND SONS and many others. You’ve HEARD him in countless voice roles for cartoons from “Sabrina: The Animated Series” to “My Little Pony”. Plus voicing the the NFB Oscar-nominated THE BIG SNIT. Jay’s favourite theatre roles includes: Man in the Chair “The Drowsy Chaperone” (National Arts Centre, Vancouver Playhouse), Tevye “Fiddler on the Roof” (California The Rubicon Theatre), “The Goat” (Presentation House Theatre), Cyrano (Pittsburgh’s Three Rivers Shakespeare Festival), The Wiz in Andrew Lloyd Webber’s North American Tour of “Wizard of Oz” and the wonderful Edna Turnblad in the Canadian premiere of “Hairspray”. Jay is writing his own play FORTUNATE SONS and co-writing a screenplay THE PROFESSIONALS. IMBD
John Innes (He, Him)
John Innes was an early graduate of the National Theatre School (’67). He has performed in every major regional theatre in Canada, including 12 seasons with the Stratford Shakespeare Festival where he received a Tyrone Guthrie Award twice. He has also performed in regional theatres in the United States including 3 seasons with the Denver Center Theatre Company. In all, he has been a working actor for over 55 years.
Meet our Playwrights & Translators
About the playwright
Martin Bellemare
(He, Him, His)
A graduate of the National Theatre School of Canada’s writing program, Martin Bellemare was nominated for the 2020 Siminovitch Prize and awarded the 2009 Gratien Gélinas Prize for Le Chant de Georges Boivin. La Liberté was presented at La Rubrique (Jonquière) in 2013 and in Montreal in 2015, and was scheduled to be staged in Ottawa in 2020. Maître Karim la perdrix (2018 Prix SACD de la dramaturgie francophone, awarded by the Société des Auteurs et Compositeurs Dramatiques) will premiere at the Théâtre des Capucins in Luxembourg in 2021. Moule Robert (CNL Scholarship, shortlisted for the 2017 Prix SACD de la dramaturgie francophone and the 2018 Michel Tremblay Prize) was produced simultaneously at La Rubrique and at the POCHE/ GVE in Geneva, then at the Théâtre de Belleville in Paris. Martin is a four-time recipient of the Aide à la création grant from the Centre national du Théâtre/ARTCENA in Paris, and two of his plays are included in the repertoire of the Comédie-Française. Two of his plays for young audiences, Un château sur le dosand Des pieds et des mains, which was first produced at the NAC, have toured in Canada and internationally. In 2019, Extraordinaire et mystérieux and Charlie et le djingpouite were produced, and Cœur minéral premiered at the Francophonies in Limoges. The latter play was scheduled for a Montreal production in 2020.
His work has been produced in Quebec, France, Poland and Switzerland and translated into German, Italian and Lithuanian.
About the translator
Jack Paterson
(He, Him, His)
Jack’s practice has taken him across Canada, the UK and around the world. His work has ranged from contemporary devising, multi-disciplinary, cross-cultural and multi-ligual projects to new works and contemporary approaches to classical theatre. He trained at Circle in the Square (NYC, USA), GITIS (Moscow, RU), SENI (Denpasar, INA) and received his MFA from The University of Essex and East 15 Acting School (London, UK). Recent project include devised creation in Italy (Teatro Trieste 34, Piacenza) and Indonsia (SENI, Denpasar), and a deep dive into German innovation with Flausen+ (theatre wrede+, Oldenburg). www.JackPatersonTheatre.com
About the colaborating translator
Johanna Nutter
(Elle, She, Her)
Johanna Nutter (she, euro-settler, multidisciplinary artist) developed her passion for translation through acting: being one of few perfectly bilingual theatre artists, she played leading roles at Centaur (Good People, You Will Remember Me) and La Licorne (Les Événements). The attention of both circles came thanks to the success of her solo my pregnant brother/mon frère est enceinte, which she translated during a residency in Tadoussac, accompanied by Linda Gaboriau. The show toured across Canada and Quebec in both languages, and to the UK and Belgium. Subsequently, she translated the works of Annick Lefebvre (Barbed Wire), Guillaume Corbeil (You’ll Go Looking for Her), and Florence Longpré & Nicolas Michon’s ballet-theatre hybrid CHLORINE, which she also produced and directed at Centaur, with her company creature/creature.
About our Partners
About Western Gold Theatre
Western Gold Theatre is the premier company in the country focused on sharing and celebrating the talents of senior professional theatre artists (age 55+). Western Gold also mentors emerging younger professional artists as they ‘share the boards’ with us. We are a vibrant creative gathering place for artists and audiences, young and old. www.westerngoldtheatre.org
Special
Thank You
